For a start, few of us are lucky enough to have access to a decent piano for a long enough period to develop any significant experience of recording it. There's also the fact that the number of 'correct' mic techniques is enormous, yet any given one of these might be completely inappropriate for the sound you're after. The aim of this article is to take some of the guesswork out of getting a great piano sound, bringing together a wide range of recording techniques suggested by various different authorities and then illustrating them with audio examples. Surf to /sos/ jan08/articles/pianorecordingaudio.htm, and judge for yourself whether these techniques are the dog's danglies or a dog's dinner. What Type Of Mic Should I Use?īecause of the nature of the piano as an instrument, certain types of microphone lend themselves better to recording it than others. It should be pretty obvious that the piano generates a very wide frequency range, starting at around 26Hz (the fundamental frequency of the lowest note) and extending well beyond the 20kHz upper limit of the audible spectrum. This makes most dynamic mics a questionable choice, as their comparatively heavy diaphragms simply can't track the delicate, fast air movements of the highest frequencies as well as can lighter ribbon- or condenser-mic diaphragms.
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